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CONGRATULATIONS! PARABENS!

Congratulations! To the winners of the 2015 Am I Invisible? NYC | SP Open Call

Please join Bicycle Utopia and Ciclo Utopia in honoring the six recipients of the jury’s decision.

Parabéns aos vencedores do concurso Invisível? SP | NYC 2015!

Por favor, junte-se à Bicycle Utopia e à Ciclo Utopia na saudação aos seis escolhidos pelo júri.

097- Argun Ulgen

099-Duncan Moore

112-Carlo Guzman

284 Aloisio Ferreira

11113 Ronaldo Azambuja

11180 Ana Paula Leoncio Augusto
In São Paulo:
Ana Paula Leoncio Augusto
Aloisio Ferreira
Ronaldo Azambuja

In New York:
Carlo Guzman
Duncan Moore
Argun Ulgen

Many, many thanks to all who entered the Open Call. Your vision and creativity is an inspiration to everyone who envisions a “bicycle utopia” in New York and São Paulo.

We extend our heartfelt thanks to the jury panels in New York and São Paulo:

Daniele Dal Col, Director, Galeria Superfície, São Paulo

Renata Falzoni, Architect, Journalist and Bicycling Advocate, São Paulo

Zanna Gilbert, Department of Drawings at the Museum of Modern Art, New York

Elcio Ohnuma, Department Chair of Photography, Escola Panamericana de Arte, São Paulo

Karen Overton, Executive Director, Recycle-A-Bicycle, New York

Louise Weinberg, Curator, Queens Museum of Art, New York

And a big thank you to all our sponsors, without whom the Am I Invisible? NYC | SP Open Call would not be possible.

Parabéns aos vencedores do concurso Invisível? SP | NYC 2015! Por favor, junte-se à Bicycle Utopia e à Ciclo Utopia na saudação aos seis escolhidos pelo júri. Em São Paulo: Ana Paula Leoncio Augusto.jpg Aloisio Ferreira.jpg Ronaldo Azambuja.jpg Em Nova York: Carlo Guzman Duncan Moore Argun Ulgen Agradecemos muito a todos que participaram do concurso. Sua visão e criatividade são uma inspiração para todos que desejam uma “utopia ciclística” em Nova York e São Paulo. Estendemos também nossos sinceros agradecimentos aos jurados de Nova York e São Paulo: Daniele Dal Col, Diretora da Galeria Superfície, São Paulo Renata Falzoni, Arquiteta, Jornalista e Defensora do Ciclismo, São Paulo Zanna Gilbert, Departamento de Desenhos do Museu de Arte Moderna, Nova York Elcio Ohnuma, Chefe do Departamento de Fotografia, Escola Panamericana de Arte, São Paulo Karen Overton, Diretora Executiva, Recycle-A-Bicycle, Nova York Louise Weinberg, Curadora, Museu de Arte do Queens, Nova York E muito obrigado a todos os nossos patrocinadores, sem os quais o concurso Invisível? SP | NYC não seria possível.

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Ana Benaroya at ArtCrank

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We loved Ana Benaroya’s poster at ArtCrank this year. “I wanted to create a raw, powerful image of a woman riding a bike nude. She and the bike are one and they are rebellious, powerful and free.”

Ana’s work merits a Buzzfeed listicle, 8 Life Hacks Every Woman Should Know, excerpt from her forthcoming book 120 Ways to Annoy Your Mother (And Influence People).

Stay moist and go slow.

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Am I Invisible? A Portrait of New York City Bicyclists Opens April 8

Untitled (Ghost Biker) Marina Berio
Untitled (Ghost Biker) Marina Berio
Am I Invisible? A Portrait of New York City Bicyclists

Opening April 8, 2014 6 – 9 p.m.

In the Great Room at The Old Stone House
Old Stone House & Washington Park
336 Third Street, bet. 4th/5th Avenues
Brooklyn, NY 11215

Directions

Am I Invisible? A Portrait of New York City Bicyclists is a transmedia project produced by Bicycle Utopia in collaboration with Recycle-a-Bicycle and The Old Stone House.

Am I Invisible? is a portrait of New York City viewed from a bicycling perspective. Artists Marina Berio, Christopher Cardinale, Jeanne Hilary, Johanna Kindvall, Sam Polcer, Justin Strauss Mike Taylor and Harry Zernike will be exhibited along with images from the Am I Invisible? Open Call, and images created during an Am I Invisible? Bike Art Party, a community event organized with Queens Museum. Am I Invisible? A Portrait of New York City Bicyclists will be on display at the Old Stone House and an interactive public art installation in locations around NYC from April 8 to June 3.

Am I Invisible? is inspired by the experience of biking in the city. Biking creates intimacy with the built environment, encourages social interactions and enhances awareness of New York City as an ever-evolving, collective cultural experience.

About the Artists

Marina Berio

Marina Berio is an artist and photographer. She has been granted a New York Foundation for the Arts fellowship, the Aaron Siskind Foundation Award and a Pollock/Krasner Grant, and been invited to various residencies including the MacDowell Colony, Yaddo, Millay, and Schloss Plüschow in Germany. She has exhibited photography and drawings internationally, including Michael Steinberg Fine Arts, Yancey Richardson Gallery, Von Lintel Gallery, Smack Mellon, and Artists Space in New York; Les Rencontres d’Arles, Galerie Camera Obscura, and the Centre Photographique de Pontault-Combault in France; her work has been published in Foam and Fantom. Berio is Chair of the General Studies Program at the International Center of Photography in New York City. She lives with photographer Jean-Christian Bourcart and their son Elio in Brooklyn, New York. More about Marina’s work at marinaberio.net

Christopher Cardinale

Christopher Cardinale is a cartoonist and muralist. While living in Guatemala and Mexico, his work was inspired by encampments of striking workers and anarchist punk collectives. He has been publishing comics since 2001 when his first graphic narrative appeared in World War 3 Illustrated Magazine. Since 1996, Christopher has led large-scale, collaborative mural projects in New Mexico, New York City, Italy, Greece and Mexico.His work addresses themes ranging from labor organizing history, cyclist and pedestrian rights, urban environmentalism and post-Katrina New Orleans. Christopher illustrated the graphic novel, Mr Mendoza’s Painbrush, by Luis Alberto Urrea, chosen by Kirkus Reviews as one of 2010’s best books for teens.

Johanna Kindvall

Johanna Kindvall is a designer, illustrator and architect based in Sweden and New York City. She editss a food blog, kokblog; her illustrations appeared in The Culinary Cyclist, by Anna Brones. Her illustrations have been published on blogs such as Art of Eating, Foodie Bugle and the books The Fabulous Baker Brothers. She is currently at work on a cookbook in collaboration with Anna Brones, which will be published by 10 speed press. Her work has been exhibited widely, notably in 14th St Overlay by Walczak & Heiss in Denver, Colorado, at the Triennial of Lövestad, Sweden, at the National Art Museum of China and others.

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Jeanne Hilary

Jeanne Hilary is a photographer and new media artist.  She is founder of Bicycle Utopia, a public art project about New York City seen from a bicycling perspective.

Her work has been exhibited widely, notably le Centre Pompidou, le Palais de Tokyo, Le Musée Carnavalet, la Bibliothèque Nationale, Paris; Lilit Kala Akademi, New Delhi, The Museum of Fine Arts, Calcutta,, the Museum for Contemporary Photography, Chicago. She has received numerous grants and residencies, among these: The American Center, Paris; the Fondation Regional Pour l’Art Contemporain, Ile de France; the Ministére des Affaires Etrangéres, France; the Palm Beach County Cultural Council; the Ministére de la Culture, France. Her work has been published in  The New York Times, The Guardian, La Repubblica, El Pais, Le Monde, Libération, le Nouvel Observateur, l’Express, Geo, Newsweek, Fortune and many others. Her work is broadly concerned with how the built environment impacts human endeavor, and how memory and desire inform contemporary society. She has worked extensively on gangs and youth issues in Chicago and Los Angeles,  women’s issues, infrastructure and housing, poverty and immigration in France’s housing estates, and a range of human rights and social issues in Egypt, Afghanistan, India, Turkey, China and Rwanda, throughout Europe and the United States. More about Jeanne Hilary at jeannehilary.com

Sam Polcer

Sam Polcer recently recently completed his first book, New York Bike Style, which will be published by Prestel in Spring 2014. (He also has a blog, Preferred Mode, that features some of the photos from that project.) His writing and photography has appeared in The New York TimesThe Wall Street JournalTravel + LeisureHemispheresBrooklyn MagazineThe L Magazine,  among others. He is Communications Manager of Bike New York. Previously, he was a nightclub visual designer, traveling circus spotlight operator, documentary filmmaker, DJ, video editor, blueberry picker, election campaigner and event producer. When he’s not riding his bike or traveling on assignment, he spends as much time as he can in Brooklyn, NY. More about Sam Polcer at Preferredmode.com

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Justin Strauss

Justin Strauss, 16, from Forest Hills, Queens is a junior at Stuyvesant High School. Justin is photo editor for both The Spectator, Stuyvesant’s student run biweekly newspaper, and The Indicator, Stuyvesant’s yearbook. His interest in cycling began in 2012, after participating in bike tours in and around New York City. The following year, Justin joined the Century Road Club Association. He competes in road, track, and cyclocross races for the club’s Junior Development team. Justin saw the opportunity to combine his two defining interests in Bicycle Utopia’s Am I Invisible? contest and he plans to continue to experiment with using photography as a medium to capture the beauty of cycling.

Mike Taylor

Mike Taylor is a printmaker, painter, writer, self-publisher and arts educator. He works in screenprinting, painting, collage, sculpture and performance. His work is narrative and autobiographical, documenting his surroundings and reflecting on culture, politics, and the human condition. While self-publishing anthologies of his own artwork, comics and writing he is also an elementary school art teacher. 

Harry Zernike

Harry Zernike makes photographs and films for a broad range of commercial and editorial clients. His photographs are in a number of books as well as private, corporate, and museum collections. He has been spotted in road and cyclocross races, and toodling around New York on a single speed. A predisposition to photographing cyclists (conflating work and play) led him to publish the printed 9W- a journal of Cycling Photography and it’s online companion 9wmag.comwww.harryzernike.com

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Am I Invisible? A Portrait of New York City Bicyclists is made possible with generous support from our sponsors.

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A Bikestrian

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This just in from artist Frédéric Lère:

“You could not miss me.

“Walking a Citibike from the art supply store to my studio. Should I use the sidewalk or the bike lane? I opted for the bike lane, smoother surface.

“All the way up 8th Avenue from 23rd to 38th Street. Respecting all the traffic lights and unruly pedestrians…

“I was special, a bikestrian.

“One of the unruly persons that I met was driving a Yellow cab. He cut me off, forcing me to use my brakes, as he turned left on 35th Street, running a red light.

“The driver was a cop in a uniform!?!”

You can see Frédéric’s The Freevolous King Lère Show at the Mayson Gallery, 254 Broome Street, New York, from January 22 to February 05.

Proceeds from the show benefit the Big Apple Circus Clown Care Unit.

 

¡Vivan los Muertos! Day of the Dead Celebrations at la Casa Azul

paul lambertonArtist Paul Lambermont’s lifelong fascination with Mexica theology began when he was seven or eight years old and saw an image of the Mexica dipping their feet into pails of sap to makes boots for themselves. “How cool is that?”

This spectacular painting (“the figure is the size of a small child”) is part of the Vivan los Muertos exhibition currently on view at La Casa Azul. The piece is made of found paper, that has been sewn, stapled and painted.

The painting represents the God Xipe Totec, and is part of a series inspired by the Codex Borgia, the Codex Zouche Nuttal, and Tibetan Art which he calls The Codex Chitipati. “I am interested in the art and myths of many cultures and time periods. Despite separation of geography and time, images are constantly repeated.

“Xipe Totec is the God of Springtime and Vegetation. He is represented as having been flayed: the skin is removed so new life can come through. During the ritual devoted to him the priests wore the flayed skin of sacrificial victims. It’s sort of nice we don’t do stuff like that now–it would make us more paranoid than we are already.”

The Vivan los Muertos exhibition includes work by Claudia Corletto, Pablo Caviedes, Michael Guillen, Ramon Gutierrez, Antonio Pertuz, Vanessa Peters and Airy Quiroz, and a community altar in memory of the writer Oscar Hijuelos, who passed away in October of this year.

¡Vivan los Muertos at La Casa Azul on view from now to November 23.

La Casa Azul Bookstore 143 E. 103rd St 

Highlights From Last Week’s East Harlem Art and Culture BikeART Tour

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Great weather, great art, great food, site-specific spoken-word performances by JC Augustin, and wonderful music by Blue Maky at the East Harlem Harvest Festival were just some of the highlights of the BikeART tour on Saturday, October 27.

We’re looking forward to more of the same and just more on Saturday, November 2 for the Day of the Dead tour!

Sign up here!

One More Week to Summer Streets!

We can’t wait! For more information, go xanax prescription here

Park Ave Jeff Prant

Park Ave, Jeff Prant, photographer

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Lumen Video and Performance Festival 2013

If you aren’t going to make it to the Venice Biennale this year (I knew I should have reserved that hotel room 18 months ago), on June 15 you can see a piece of it on Staten Island at Lumen, one of New York City’s most anticipated art events of the summer.

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Among the fifty artists exhibiting video and performance art projected in and around Lyons Pool is Jose Carlos Casado, whose Off was shown in May for the opening of the Biennale. Also of note at Lumen this year, Scott Van Campen’s Cicada Machine, work by Margaret Cogswell, , Yorgo Alexopoulos, the amazing Jonathan Ehrenberg, DD’s re-animation of It Came From Beneath the Sea.

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Curated this year by David C. Terry and Esther Neff, Lumen is a chance to see an eclectic collection of video and performance art from around the world in the magical atmosphere that is Staten Island By Night.

Any excuse to take the Staten Island Ferry is fine with me valium abuse, whose battered steel and pale-blue fiberglass interiors affords the opportunity to revisit childhood memories of amorous mosquitoes and burnt hot-dogs and marshmallows, not to mention a quick spin on one of the swivel chairs in the mirrored foyer of the women’s bathroom.  And for what glamour of a Broadway first night or cinq à sept are we preparing ourselves for in the middle of New York Bay?

Staten Island is home to not only Lumen, but some of the city’s most intriguing museums, such as the Alice Austen House  and the Jacques Marchais Museum of Tibetan Art. The first is a house that is a museum, the second is a museum in a house designed to resemble a Tibetan monastery.

Enter at the lower level of the Staten Island Ferry if you are coming by bike. Bike valet parking is available at Lumen. For directions, and an overview of some of the other cultural destinations on Staten Island, click on the map below to download the printable pdf.

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An Excursion to New York City’s Museum 7.28 Mile

Although there is no shortage of excellent reasons to go there, starting with an astounding collection of museums, not to mention Central Park, one of the greatest gifts of any city to its citizens since the first brick was laid in Mohenjo Daro, trying to get to the Upper East Side on a bicycle, and getting around once you’re there, is difficult.

A very pleasant riverfront bike path will bring you from Whitehall as far as 35th Street, passing, spectacularly, beneath the Brooklyn, Manhattan and Williamsburg bridges, along the way. Sadly, a few blocks beyond the splendid new East River Ferry Terminal, the idyll ends in a trash-filled cul-de-sac.

Further progress uptown requires heading inland where the choices will inevitably come down to First and Park Avenues, both highways.

Despite the recent installation of a bike lane on First Avenue, which is a pure delight on the weekend when there is no traffic at all and it is routine to sunbathe, or barbecue, or play every single one of Bach’s Goldberg Variations, or all three, simultaneously or consecutively, in the middle of that most spacious thoroughfare without the worry of being disturbed by a single automobile, or elephant, or even the police. Apart from these golden moments, I cannot, however, recommend this noblest of bike lanes, “sharrowed” as it is at several points by ramps and routes delivering motorists who will not even see you as they careen toward Queens and Long Island, so bedazzled is their mind’s eye by visions of the joys that await them in those Valhallas beyond tunnel and bridge.

As in Midtown, bike lanes are few, but unlike that chaotic throng of highways masquerading as city streets, traffic above 59th Street is usually light and as such in thrall to frantic motorists trying to make all the green lights between the Bronx and the Mid-Town Tunnel.

Are there elephants in that tunnel, or something?

Only sometimes. And were this a regular thing, it would just be one more thing to complain about.

So what’s the rush?

If accidents, whether provoked by bicyclist or motorist, are generally the result of moving faster than the brain can send instructions to the body, between the euphoria of the speeding motorist and the apoplexy of the traffic jam, I prefer the perils of the latter. The damage inflicted by the most neurasthenic cabdriver advancing at 15 miles an hour will be preferable to that of the gayest motorist roaring along at 50 miles an hour in a 30 mile zone.

This is bicycling on the Upper East Side. Possibly a situation that will always be less than ideal. One might get the impression we are just not wanted.

Things being what they are, I say, take Park Avenue.

One evening a couple summers ago I found myself stopped at the light at Park and 42nd alongside a pedicab driver. If anyone knows the best way to get to the Upper East Side on a bicycle, I thought, it’s this guy.

“Hello,” I said, experimentally.

“Hello!” replied the driver brightly.

The two people seated in the cab flicked a glance in our direction, then paid no more attention to us.

“Can I ask you a question?” I said. And I laid my case before him.

“Sure!” He nodded affably. “Just go up here, turn left, then right onto Vanderbilt, then india generic cialis right again on 46th, and you’ll be right back on Park. What’s your name?”

I told him.

“Harry,” he said, pointing at his chest. He was in fact quite hairy, in the manner of a guy who likes to wear colorful large-patterned shirts that show off to their best advantage a springy crown of sun-bleached hair framing a ruddy outdoor complexion. He was wearing one of these.  Large orange flowers bloomed on an eye-popping yellow background.

“Your hair is great,” he added.

I thanked him, and returned the compliment.

The light changed and we pushed off.

“How do you like that job?” I asked, taking advantage of slow-moving traffic to ride alongside him.

“It’s alright,” he said, “It’s good.”

“What about the winter?”

“In the winter I’m in Florida!” he said with the wide grin of a man who has no prejudice against sloth, yet has never in his entire life been bored for even one second.

“And the summer it’s really nice, you’re outside, the money’s good…”

We turned left on 42nd, and I had to pull ahead of him until we turned into Vanderbilt Street.

Thinking more about the interrupted conversation behind me than what lay ahead, I kept going straight instead of turning where he’d told me to.

“Jeanne!” I turned to find Harry waving broadly toward the right as he turned into 46th Street.

I waved back, but I didn’t see him again.

It’s unfortunate that the Museum of Art and Design has such a dull name–and somehow MAD doesn’t seem like it will ever have the appeal of “MoMA” or “The Met”–because it is one of the city’s most beautifully proportioned museum, inside and out, in both form and substance.

There are far too many museums on the so-called Museum Mile than you could possible visit in one day or three, even should you scurry through the galleries of, say, MoMA strictly refraining from even a glance at the art as you conscientiously photograph each and every one of the wall labels with your smartphone.

When I saw this I was in the company of a friend visiting from out of town. We got a terrific laugh out of it, once we recovered from the slack-jawed staring. Few things in life are as delightful as a good laugh in a place where one isn’t supposed to even smile, much less find anything funny. When I’m dead it’s one of the things I’ll miss the most.

Without looking quite so far ahead, unless you are a memory expert, visiting more than two museums a day is pointless, and of these, one of them should be on the small side. If you employ this method: one large museum plus one small one, between the two a pleasant snack and ending with a breezy roll around Central Park to wind things up, in a minimum of three months of weekends you will have visited them all, and it will be time to start  over.

Although possibly empty of Vermeers, Michelangelos or Monets, each of the city’s smaller museums will reveal to the visitor something which can never be spoiled by over-familiarity or anticipation: surprise.

As for the Museum of the City of New York itself, you really have to wonder how they managed to fit the entire city in a single building.

It must have quite a large basement.

David Sokosh’s Bicycle Photographs

A preview of David’s show opening this Friday in Provincetown at the Esmond-Wright Gallery.

bicycle tintypes

Is vigrx sucks there a connection between bicycles and tintypes? Find out here.

More of David’s photography here.