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CONGRATULATIONS! PARABENS!

Congratulations! To the winners of the 2015 Am I Invisible? NYC | SP Open Call

Please join Bicycle Utopia and Ciclo Utopia in honoring the six recipients of the jury’s decision.

Parabéns aos vencedores do concurso Invisível? SP | NYC 2015!

Por favor, junte-se à Bicycle Utopia e à Ciclo Utopia na saudação aos seis escolhidos pelo júri.

097- Argun Ulgen

099-Duncan Moore

112-Carlo Guzman

284 Aloisio Ferreira

11113 Ronaldo Azambuja

11180 Ana Paula Leoncio Augusto
In São Paulo:
Ana Paula Leoncio Augusto
Aloisio Ferreira
Ronaldo Azambuja

In New York:
Carlo Guzman
Duncan Moore
Argun Ulgen

Many, many thanks to all who entered the Open Call. Your vision and creativity is an inspiration to everyone who envisions a “bicycle utopia” in New York and São Paulo.

We extend our heartfelt thanks to the jury panels in New York and São Paulo:

Daniele Dal Col, Director, Galeria Superfície, São Paulo

Renata Falzoni, Architect, Journalist and Bicycling Advocate, São Paulo

Zanna Gilbert, Department of Drawings at the Museum of Modern Art, New York

Elcio Ohnuma, Department Chair of Photography, Escola Panamericana de Arte, São Paulo

Karen Overton, Executive Director, Recycle-A-Bicycle, New York

Louise Weinberg, Curator, Queens Museum of Art, New York

And a big thank you to all our sponsors, without whom the Am I Invisible? NYC | SP Open Call would not be possible.

Parabéns aos vencedores do concurso Invisível? SP | NYC 2015! Por favor, junte-se à Bicycle Utopia e à Ciclo Utopia na saudação aos seis escolhidos pelo júri. Em São Paulo: Ana Paula Leoncio Augusto.jpg Aloisio Ferreira.jpg Ronaldo Azambuja.jpg Em Nova York: Carlo Guzman Duncan Moore Argun Ulgen Agradecemos muito a todos que participaram do concurso. Sua visão e criatividade são uma inspiração para todos que desejam uma “utopia ciclística” em Nova York e São Paulo. Estendemos também nossos sinceros agradecimentos aos jurados de Nova York e São Paulo: Daniele Dal Col, Diretora da Galeria Superfície, São Paulo Renata Falzoni, Arquiteta, Jornalista e Defensora do Ciclismo, São Paulo Zanna Gilbert, Departamento de Desenhos do Museu de Arte Moderna, Nova York Elcio Ohnuma, Chefe do Departamento de Fotografia, Escola Panamericana de Arte, São Paulo Karen Overton, Diretora Executiva, Recycle-A-Bicycle, Nova York Louise Weinberg, Curadora, Museu de Arte do Queens, Nova York E muito obrigado a todos os nossos patrocinadores, sem os quais o concurso Invisível? SP | NYC não seria possível.

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Modern Ruin – WORLD PREMIERE

Modern Ruin,  premiering at Queens Theatre on Friday, chronicles the rise and fall of the iconic New York State Pavilion. A landmark of the 1964 World’s Fair, it is now, alas, a magnificent ruin at Flushing Meadow Park. Highly visible from the Grand Central Parkway, the Long Island Expressway, and by air for those flying into or out of La Guardia or JFK airports, the Pavilion stands a sentinel to past optimism of the future which is today.

The movie opens with a hardy group of volunteers determined to help save the structure. It starts with small steps. Simple steps, such as painting the perimeter wall of the pavilion. Set against the scale of the structure cutting a modernistic, timeless silhouette against New York’s ever changing skyline, these simple gestures seem so out of scale—almost futile. Instead, it is the start of something larger.

The time of the World’s Fair was a period when technology was viewed as a key ingredient to building a better, brighter future—and the world was on display. New York State was ascendant.

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Writer/director Mathew Silva does a very nice job of taking the viewer on a tour of the site: its origins, as a landfill made infamous in the Great Gatsby, the role of this the Pavilion in the 1964 World’s Fair, the conversion of the fairgrounds to today’s Flushing Meadow Park, and its the Pavilion’s various uses since the Fair, including a period as a roller skating rink, and its eventual decline.
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This evocative film resonated with me on several levels.I visited the 1964 World’s Fair as a youngster, on my first trip back to New York from Indiana, where I lived at that time.Visiting New York City was already exciting enough—but visiting the World’s Fair is like visiting the “center” of the center of the universe.

 

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I recall with wonder the many pavilions, monorail, sky rides—and even the fun of riding the Flushing Line (Number 7) train to the Fair. It was sensory overload for an impressionable young boy. The 1964 World’s Fair was a crucible where the excitement and energy of the world seemed to converge to produce a miraculous world full of vision of and almost unlimitless possibilities!

 

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Watching this documentary we learn of how the magnificent New York State Pavilion was allowed to fall into disrepair—neglect or the need to apply limited resources to deal with the more pressing, urban problems that characterized New York City in the late 1960’s and 1970’s. We also learn of an exciting adaptive reuse plan to convert the pavilion into an aviation and space museum—only to learn that it never came to fruition. Credit goes to Mr. Silva to not linger too much on nostalgia, or to engage in a blame game for why the structure fell into disrepair. But the savvy viewer can draw his or her own conclusions.

The question going forward is what will become of this structure? An engineering feat in its day, is it destined to become a permanent ruin akin to the Coliseum in Rome or Stonehenge? Or will there be a force for adaptive reuse which will eventually re-purpose the structure for use by future generations?

Which force will prevail?

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Modern Ruin: A World’s Fair Pavilion – WORLD PREMIERE

Friday, May 22, 2015 at 8:00PM

Queens Theatre

14 United Nations Avenue South

Flushing Meadows Corona Park, Queens

7 train to Mets-Willets Pt.

Tickets can be purchased here.

DocoMomo Tri-State is sponsoring transportation from Manhattan with a party bus.

Movie tickets and bus tickets are sold separately and can be purchased by following the links here.

Kenneth Lin, AICP is a Senior Planning Manager for a transportation consultancy based in New York City. Ken has a lifelong interest in architecture, urban planning and transportation, and has traveled to 128 countries on six continents.

Ana Benaroya at ArtCrank

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We loved Ana Benaroya’s poster at ArtCrank this year. “I wanted to create a raw, powerful image of a woman riding a bike nude. She and the bike are one and they are rebellious, powerful and free.”

Ana’s work merits a Buzzfeed listicle, 8 Life Hacks Every Woman Should Know, excerpt from her forthcoming book 120 Ways to Annoy Your Mother (And Influence People).

Stay moist and go slow.

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Am I Invisible? A Portrait of New York City Bicyclists Opens April 8

Untitled (Ghost Biker) Marina Berio
Untitled (Ghost Biker) Marina Berio
Am I Invisible? A Portrait of New York City Bicyclists

Opening April 8, 2014 6 – 9 p.m.

In the Great Room at The Old Stone House
Old Stone House & Washington Park
336 Third Street, bet. 4th/5th Avenues
Brooklyn, NY 11215

Directions

Am I Invisible? A Portrait of New York City Bicyclists is a transmedia project produced by Bicycle Utopia in collaboration with Recycle-a-Bicycle and The Old Stone House.

Am I Invisible? is a portrait of New York City viewed from a bicycling perspective. Artists Marina Berio, Christopher Cardinale, Jeanne Hilary, Johanna Kindvall, Sam Polcer, Justin Strauss Mike Taylor and Harry Zernike will be exhibited along with images from the Am I Invisible? Open Call, and images created during an Am I Invisible? Bike Art Party, a community event organized with Queens Museum. Am I Invisible? A Portrait of New York City Bicyclists will be on display at the Old Stone House and an interactive public art installation in locations around NYC from April 8 to June 3.

Am I Invisible? is inspired by the experience of biking in the city. Biking creates intimacy with the built environment, encourages social interactions and enhances awareness of New York City as an ever-evolving, collective cultural experience.

About the Artists

Marina Berio

Marina Berio is an artist and photographer. She has been granted a New York Foundation for the Arts fellowship, the Aaron Siskind Foundation Award and a Pollock/Krasner Grant, and been invited to various residencies including the MacDowell Colony, Yaddo, Millay, and Schloss Plüschow in Germany. She has exhibited photography and drawings internationally, including Michael Steinberg Fine Arts, Yancey Richardson Gallery, Von Lintel Gallery, Smack Mellon, and Artists Space in New York; Les Rencontres d’Arles, Galerie Camera Obscura, and the Centre Photographique de Pontault-Combault in France; her work has been published in Foam and Fantom. Berio is Chair of the General Studies Program at the International Center of Photography in New York City. She lives with photographer Jean-Christian Bourcart and their son Elio in Brooklyn, New York. More about Marina’s work at marinaberio.net

Christopher Cardinale

Christopher Cardinale is a cartoonist and muralist. While living in Guatemala and Mexico, his work was inspired by encampments of striking workers and anarchist punk collectives. He has been publishing comics since 2001 when his first graphic narrative appeared in World War 3 Illustrated Magazine. Since 1996, Christopher has led large-scale, collaborative mural projects in New Mexico, New York City, Italy, Greece and Mexico.His work addresses themes ranging from labor organizing history, cyclist and pedestrian rights, urban environmentalism and post-Katrina New Orleans. Christopher illustrated the graphic novel, Mr Mendoza’s Painbrush, by Luis Alberto Urrea, chosen by Kirkus Reviews as one of 2010’s best books for teens.

Johanna Kindvall

Johanna Kindvall is a designer, illustrator and architect based in Sweden and New York City. She editss a food blog, kokblog; her illustrations appeared in The Culinary Cyclist, by Anna Brones. Her illustrations have been published on blogs such as Art of Eating, Foodie Bugle and the books The Fabulous Baker Brothers. She is currently at work on a cookbook in collaboration with Anna Brones, which will be published by 10 speed press. Her work has been exhibited widely, notably in 14th St Overlay by Walczak & Heiss in Denver, Colorado, at the Triennial of Lövestad, Sweden, at the National Art Museum of China and others.

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Jeanne Hilary

Jeanne Hilary is a photographer and new media artist.  She is founder of Bicycle Utopia, a public art project about New York City seen from a bicycling perspective.

Her work has been exhibited widely, notably le Centre Pompidou, le Palais de Tokyo, Le Musée Carnavalet, la Bibliothèque Nationale, Paris; Lilit Kala Akademi, New Delhi, The Museum of Fine Arts, Calcutta,, the Museum for Contemporary Photography, Chicago. She has received numerous grants and residencies, among these: The American Center, Paris; the Fondation Regional Pour l’Art Contemporain, Ile de France; the Ministére des Affaires Etrangéres, France; the Palm Beach County Cultural Council; the Ministére de la Culture, France. Her work has been published in  The New York Times, The Guardian, La Repubblica, El Pais, Le Monde, Libération, le Nouvel Observateur, l’Express, Geo, Newsweek, Fortune and many others. Her work is broadly concerned with how the built environment impacts human endeavor, and how memory and desire inform contemporary society. She has worked extensively on gangs and youth issues in Chicago and Los Angeles,  women’s issues, infrastructure and housing, poverty and immigration in France’s housing estates, and a range of human rights and social issues in Egypt, Afghanistan, India, Turkey, China and Rwanda, throughout Europe and the United States. More about Jeanne Hilary at jeannehilary.com

Sam Polcer

Sam Polcer recently recently completed his first book, New York Bike Style, which will be published by Prestel in Spring 2014. (He also has a blog, Preferred Mode, that features some of the photos from that project.) His writing and photography has appeared in The New York TimesThe Wall Street JournalTravel + LeisureHemispheresBrooklyn MagazineThe L Magazine,  among others. He is Communications Manager of Bike New York. Previously, he was a nightclub visual designer, traveling circus spotlight operator, documentary filmmaker, DJ, video editor, blueberry picker, election campaigner and event producer. When he’s not riding his bike or traveling on assignment, he spends as much time as he can in Brooklyn, NY. More about Sam Polcer at Preferredmode.com

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Justin Strauss

Justin Strauss, 16, from Forest Hills, Queens is a junior at Stuyvesant High School. Justin is photo editor for both The Spectator, Stuyvesant’s student run biweekly newspaper, and The Indicator, Stuyvesant’s yearbook. His interest in cycling began in 2012, after participating in bike tours in and around New York City. The following year, Justin joined the Century Road Club Association. He competes in road, track, and cyclocross races for the club’s Junior Development team. Justin saw the opportunity to combine his two defining interests in Bicycle Utopia’s Am I Invisible? contest and he plans to continue to experiment with using photography as a medium to capture the beauty of cycling.

Mike Taylor

Mike Taylor is a printmaker, painter, writer, self-publisher and arts educator. He works in screenprinting, painting, collage, sculpture and performance. His work is narrative and autobiographical, documenting his surroundings and reflecting on culture, politics, and the human condition. While self-publishing anthologies of his own artwork, comics and writing he is also an elementary school art teacher. 

Harry Zernike

Harry Zernike makes photographs and films for a broad range of commercial and editorial clients. His photographs are in a number of books as well as private, corporate, and museum collections. He has been spotted in road and cyclocross races, and toodling around New York on a single speed. A predisposition to photographing cyclists (conflating work and play) led him to publish the printed 9W- a journal of Cycling Photography and it’s online companion 9wmag.comwww.harryzernike.com

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Am I Invisible? A Portrait of New York City Bicyclists is made possible with generous support from our sponsors.

AdoramaPix600

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A Bikestrian

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This just in from artist Frédéric Lère:

“You could not miss me.

“Walking a Citibike from the art supply store to my studio. Should I use the sidewalk or the bike lane? I opted for the bike lane, smoother surface.

“All the way up 8th Avenue from 23rd to 38th Street. Respecting all the traffic lights and unruly pedestrians…

“I was special, a bikestrian.

“One of the unruly persons that I met was driving a Yellow cab. He cut me off, forcing me to use my brakes, as he turned left on 35th Street, running a red light.

“The driver was a cop in a uniform!?!”

You can see Frédéric’s The Freevolous King Lère Show at the Mayson Gallery, 254 Broome Street, New York, from January 22 to February 05.

Proceeds from the show benefit the Big Apple Circus Clown Care Unit.

 

A Visit to Bicycle Roots Bike Shop in Crown Heights

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What’s different about New York City from Central Illinois? Artist Kathy Creutzburg pays a visit to Joe, Nechama, Herschel and Steven at Bicycle Roots Bike Shop in Crown Heights, Brooklyn.

 

 

 

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¡Vivan los Muertos! Day of the Dead Celebrations at la Casa Azul

paul lambertonArtist Paul Lambermont’s lifelong fascination with Mexica theology began when he was seven or eight years old and saw an image of the Mexica dipping their feet into pails of sap to makes boots for themselves. “How cool is that?”

This spectacular painting (“the figure is the size of a small child”) is part of the Vivan los Muertos exhibition currently on view at La Casa Azul. The piece is made of found paper, that has been sewn, stapled and painted.

The painting represents the God Xipe Totec, and is part of a series inspired by the Codex Borgia, the Codex Zouche Nuttal, and Tibetan Art which he calls The Codex Chitipati. “I am interested in the art and myths of many cultures and time periods. Despite separation of geography and time, images are constantly repeated.

“Xipe Totec is the God of Springtime and Vegetation. He is represented as having been flayed: the skin is removed so new life can come through. During the ritual devoted to him the priests wore the flayed skin of sacrificial victims. It’s sort of nice we don’t do stuff like that now–it would make us more paranoid than we are already.”

The Vivan los Muertos exhibition includes work by Claudia Corletto, Pablo Caviedes, Michael Guillen, Ramon Gutierrez, Antonio Pertuz, Vanessa Peters and Airy Quiroz, and a community altar in memory of the writer Oscar Hijuelos, who passed away in October of this year.

¡Vivan los Muertos at La Casa Azul on view from now to November 23.

La Casa Azul Bookstore 143 E. 103rd St 

Highlights From Last Week’s East Harlem Art and Culture BikeART Tour

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Great weather, great art, great food, site-specific spoken-word performances by JC Augustin, and wonderful music by Blue Maky at the East Harlem Harvest Festival were just some of the highlights of the BikeART tour on Saturday, October 27.

We’re looking forward to more of the same and just more on Saturday, November 2 for the Day of the Dead tour!

Sign up here!

October 27th East Harlem BikeART Tours: Play(LABS)!

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Muralist, graffiti and tattoo artist Badder Israel puts the finishing touches on “Yellow Brick Road” his tribute to the cultures of the Indians of the Americas–Maya, Inca, Aztec and Taino. The mural is part of Play(LABS), a public art installation in four East Harlem community gardens, organized by the West Harlem Art Fund and New York Restoration Project.

Join us on Sunday, October 27th on our bike tour! Starting from the East Harlem Café we’ll make stops at Play(LABS) and other art and culture locations, the East Harlem Harvest Festival. We’ll taste some great food, listen to some great music–it’s going to be a great day to be in Harlem!

Tours start at 10 am and 2 pm.

For more information, and to book a tour, go here.

What’s a Girl to Do?

Bat for Lashes at Webster Hall August 30!

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The amazing Natasha Khan pulling a hair light with a cargo bike accompanied by a cohort of BMXers wearing animal masks in a forest at visual effects of viagra night–wait VolumePills, I feel faint. I have to sit down for a minute.

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Here’s Mom, the stunning Salma Agha rocking it Qawwali style in the biggest of big finishes in Salma in 1985.

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